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Stolen Airs (PFCD115) £12.50

Chamber music with piano 2002-2018, by John Casken


1-6 Shadowed Pieces for violin and piano
I shadowed by the blackened tree 1.48
II ...by a far-away song 2.16
III ...by shadows past 3.52
IV ...by a quickening moon 2.12
V ...by forgotten voices 3.02
VI ...by the harrowed land 2.38

7 Stolen Airs for cello and piano 16.23

8-13 Six Wooded Pieces for solo piano
1 Haunting Bough (I) 1.39
II Swinging Bough 2.00
III Shaded Bough 4.48
IV Weathered Bough 1.44
V Silvered Bough 2.37
VI Haunting Bough (II) 2.47

14 Serpents of Wisdom for horn and piano 11.08

15-19 Piano Trio for violin, cello and piano
I shadows 2.54
II striding the line 2.11
III dreams 4.11
IV dancing the line 3.22
V memories 7.57

'Shadowed Pieces' performed by Lucy Gould, violin, and Benjamin Frith, piano
'Stolen Airs' performed by Philip Higham, cello, and Alasdair Beatson, piano
'Six Wooded Pieces'* performed by Kenneth Hamilton, piano
'Serpents of Wisdom' performed by Alec Frank-Gemmill, horn, and Alasdair Beatson, piano
'Piano Trio' performed by Gould Piano Trio: Lucy Gould, violin, Richard Lester, cello, and Benjamin Frith, piano

"Stolen Airs... makes a superb, haunting single-movement sonata." Paul Driver, Sunday Times.

"Working with musicians who are not only simply outstanding performers but who also show an innate understanding of, and sympathy for, your music is one of the most enriching experiences for a composer. The musicians had all performed the pieces prior to the recording, with the exception of the Piano Trio, but even here Richard Lester had performed this work with The Florestan Trio in 2002 and 2003. In three cases the pieces had been written for the artists on this disc and they had given the world premieres. The players’ ability to capture the dramatic intensity of the different pieces, the darks and the lights, the range of colours, and to bring their own individual expression to the singing lines promised well for this CD recording.

The idea of creating a CD of my chamber music in which the piano features in every piece (although a piece for solo piano is hardly chamber music) was my initial thought, and the range of pieces from 2002 (Piano Trio) to 2008 (Shadowed Pieces), to three more recent pieces featuring cello and then horn, as well as solo piano, created not only a nice sequence but also an interesting variety. The recordings took place in Cardiff University School of Music and at The University of Manchester in the Cosmo Rodewald Concert Hall, in which I’d played a major role in creating nearly 20 years ago. Over the three days in Manchester I found myself as Producer, a very exciting and demanding experience, and I was very pleased that in Phil Hardman, the recording engineer, the CD was in very capable hands, both in the recording and editing stages.

I was very keen that the CD should look interesting and I commissioned my friend, the artist and illustrator Olivia Lomenech Gill to create the artwork and design the whole thing. Olivia had already done the artwork for my recent NMC CD, The Dream of the Rood, to brilliant effect, so she was the natural choice for this CD. It also reflects the fact that the visual arts play an important part in my life and I am delighted that her cover design and the music here seem to me so perfectly complementary, and that every page and surface contains different aspects of her design."
John Casken, September 2019

Stolen Airs CD

Recorded on 8-11 July 2019 at Cosmo Rodewald Concert Hall, The University of Manchester
Engineer: Phil Hardman, Northern Audio Productions
Produced by John Casken
*Recorded and produced by Stephen Plews on 5 January 2019 at Cardiff University School of Music
Editing and mastering by Phil Hardman
Sleeve image and design by Olivia Lomenech Gill © Olivia Lomenech Gill www.oliviagill.com
Executive Producer: Stephen Plews

For further details of this recording, please download the CD booklet

John Casken

John Casken
John Casken (b. 15 July 1949) lives in Northumberland, not far from the English-Scottish Borders, within sight of the Cheviot Hills and within reach of the historic Northumbrian coast. The landscape, its changing colours, huge skies, and the poetry of this part of England have influenced his works and helped to create a strong sense of place, forming a thread throughout his music. When asked by the Cheltenham Festival in 2017 to describe his music in five words, he ventured: windswept, dreamy, turbulent, melancholic, and painterly. Orion over Farne for orchestra (1984), the large-scale choral piece To fields we do not know (1985), described as a Northumbrian elegy, the orchestral song-cycle Still Mine (1992), the ensemble piece Winter Reels (2010), and the choral piece Uncertain Sea (2014) all draw inspiration from Northumberland and the northern hills. So too do the Cello Concerto (1990) and The Dream of the Rood (2008). In 1990 Casken’s first opera Golem won the First Britten Award for Composition, in 1993 the Prince Pierre de Monaco Prize was awarded for Still Mine, and in 2009 The Dream of the Rood won the British Composer Award (Vocal Category). In 2015 Casken’s oboe concerto Apollinaire’s Bird was shortlisted for both an RPS Award and a British Composer Award.